Katheryn Stott Buxton: 2012

Tuesday, November 27, 2012

These are my paintings for the December show at Red Raven. The first one has an owl in it. I don't know if he/she will be back again in another painting, but I suspect he might. I was out running at the crack of dawn one morning, and it was quite dark still because of cloud cover. I was running through a woodsy part where the trees on each side of the winding road reach over forming a tunnel. The most magnificent thing....a pair of big owls were swooping back and forth over my head. One stopped and watched me as I passed. One of those gifts, you know? It was so awesome. The second painting with the pinks and oranges reminded me of my dear friend Tiffany who died 2010. The essence of the painting felt like her, so I named it Tiffany's Reflection. The last 6 paintings are very small....4x4 inches

Tiffany's Reflection

Somewhere Silent Morning

Solstice

Fall Prism

Here are the paintings I did for Lisa Bowman. She bought one of my paintings at the Red Raven back in March, and then commisioned me to do one for her room. I did two so she could choose...(I liked the idea of having two to choose from, so I wouldn't worry about whether what I painted was exactly what she had in mind.) But she ended up taking both of them, and then this fall asked me to do one the same width but twice as tall. It was the first time I've ever painted a double square...3 x 6 feet. It was fun. Here it is and then in the context of her room with the others. There is an owl statue in front of the double square, there on the floor.

Here are two interpretive paintings I did this summer using the aspen covered mountains as my language. There are just so many different terrains out there, you know? I just thout of an analogy...when you're in a big city, and I'm thinking of New York City because I've spent a lot of time there....one neigborhood is all Italian with Italian looking people and lots of pizza restuarants and such, and the next one over is a Hasidic Jewish community where there are lots of people wearing black and long beards, and some amazing bagel restuarants, and then another is all Latin, and well, you get the idea. Out west you coud be in an aspen grove and then drive two hours and its a whole different visual language...different colors and textures...diferent shapes and sizes of things.

Here are a few of the paintings that I did this spring and summer that are now at the David Erikson Fine Art Gallery in Salt Lake City They are interpretive paintings. David said he could tell I was painting about something else, and the subject matter is a vehicle for me to comunicate what it is I'm trying to say. Those weren't his exact words but to that effect. I appreciated it because that is exactly right. I was trying to say the same thing with the desert and the west where I grew up as I do with the tangled woods where I live now.

I've done a lot of painting this year that I haven't posted, that I'd like to, and before 2012 is over. I just finished my paintings for the December show at Red Raven, as well as a painting my friend Lisa Bowman commisioned me to do, so I'm in between projects. I need some new brushes as well as gesso before I get started on the next batch, so today I'm going to post things I haven't yet. This painting is one of two I did last spring. They are an ode to my daughter Dominique's 7 to 10 year old self. She created a world she called Faren Verdia, where live Elves, Fairies and Dwarves, as well as these creatures called Willow Sprites. She wrote a few books about this world, with these Willow Sprites as the main caracters. I've long wanted to paint about these people of the wood called Willow Sprites, that came out of her imagination. I used her as my model, as well as the woods behind our house. Her younger brother Trevor wants me to use him in a painting to. I've promised him I would. I entered this one in a juried show near home, and it got the People's Choice Award. The Juror picked one of my abstract landscapes to award.

Sunday, November 25, 2012

Here are some photos from that dip between Draper and Riverton I told you about a couple of posts ago. I just wanted to share some of the beauty. I took quite a few photos and I plan on doing more interpretive paintings ispired by this desert olive and the tall bleached grasses, this winter when I'm feeling especially homesick. Its amazing how therapeautic that can be.

Wednesday, October 31, 2012

This painting is called Whispering Olive. It was inspired by a mighty olive tree I saw in the desert one summer afternoon on a drive through central Utah. I love the creamy white and yellow grasses of summers there, with the chalky blue green of the olive trees and their dark twisting trunks and branches. The combination takes my breath away and I’ve been wanting to paint about them for years. This little watercolor is the first of a series of paintings I’m calling ‘Beyond Jordon‘. In between Draper and Riverton there is a gulley where Utah’s Jordon River flows, and on one side of the road where it hasn’t been developed there are a few miles square of the tall white grass and hundreds of olive trees. It is so beautiful and amazing. I will be so sad when it’s gone. I hope the reason it’s still there and not developed yet is because others see its beauty and want it more than money. The wild desert olive often makes me think of what I imagine to be in the deserts surrounding an ancient Jerusalem, perhaps. So Beyond Jordon has double meaning in my imagination. I stopped and walked around in there and took lots of pictures to paint from over the winter sometime. I used to ride my bike, my brother Spencer and I, down that road to my Grandma’s house over two decades ago. Sigh. It had almost no traffic then. This summer I did about 10 oil paintings on this theme, but I only got pictures of a few. I unprofessionally forgot to get photos of them before I took them to show David Ericson, along with some other mountain and desert inspired interpretive/abstracted pieces. Happily, he liked them and some are currently in the upstairs part of his gallery. I just wish I had remembered to take pictures. I took pictures of those he didn’t take, which I posted recently. He said he didn’t have room for all of them but would take them after the others sold. But I have plans for many more Utah desert inspired paintings, which I will not forget to get photos of.

Sunday, October 28, 2012

I took some photos of some old photos to give to my friend David who is remodeling my website. I like both, not just one or the other. I'm serious and thoughtful but I'm still a happy person, generally speaking.